There was something undeniably creepy about ‘Closet
Land – The Stage Play’. Something inherently sinister and altogether eerie,
though incredibly eye opening and dramatic. As soon as I settled into my seat in the cosy Adelaide
Bakehouse Theatre and the play begun, I closed my eyes and ears to the outside world
and immersed myself into the story. A young children’s author is dragged out of
her bed in the middle of the night and accused of embedding political allegory
into her manuscript, Closet Land, where a young girl is locked in a cupboard
and befriended by her clothes who magically spring to life and befriend her. Tormented
and tortured until the interrogator literally beats a confession out of her, the
woman eventually reveals the story is merely a tool of escapism used as a
coping mechanism to deal with the past trauma of childhood abuse.
Growling
Grin’s production of ‘Closet Land’ is a gritty, confronting play based on the
1991 cult classic debut by the same name. With a simplistic set and characters
without names, the play illustrates a realistic scenario that could occur at
any time, in any place, and in any country. Benjamin Orchard, who plays the
interrogator, is chillingly sinister, where Melissa Rayner, portraying the victim,
is both doe-eyed and fiercely unrelenting. Orchard, who has starred in titles
such as Marlowe’s ‘Faust’, whodunit play ‘A Party To Murder’, and
pot-apocalyptic sci-fi parable ‘Obernewtyn’ was born to play this role, with
his uncanny knack to convince the audience that he really wants to physically
and psychologically torture newcomer Rayner, who’s background is
mainly focused in the visual arts. Despite Rayner’s lack of acting experience,
one would assume she had starred in previous productions, as her courage and
conviction certainly sent just as many chills down my spine as Orchard did.
First-time
director Olivia Jane Parker certainly put a lot of gusto into the production, creating
a nail biting, hair-raising atmosphere that keeps you on the edge of your seat throughout
the entire 80-minute gruelling and jaw-dropping psychological thriller. With a
fantastic team on her side, including artwork from Heather Mill and Jan Burns, sound
and photography by Lucie Baker, cinematography by Daniel Vink and Andre Shank, lighting
design by Stephen Dean, set design and construction by Greg Spence, Rayner and
Parker, the project was funded over a six month period by various grants,
including the Crowdfunding platform, Pozible.
I made the
lengthy flight from Brisbane to Adelaide to see the production, and I’m so
incredibly glad that I did. ‘Closet Land – The Stage Play’, rated MA 15+, contains
explicit content and scenes not suitable for children, and apparently not for
some adults, who decided to leave mid-production as the realistic imagery and
confronting messages were obviously just too much for them. Well, it’s
their loss! ‘Closet Land – The Stage Play’ is not to be missed. But be warned!
It’s not for the feint-hearted (although everyone should just suck it up and
watch it anyway!). Definitely worth the 2 hour flight!

I am seriously so excited! For those who don't know the story, the special is being shown at select cinema's (and also on TV), and is called 'The Day Of The Doctor'. So far, we don't know a lot of things about the special, but what we do know is:




Breaking Bad and Adventure Time!! What's not amazing about that???